#and it's been such an important piece of media for so many people for so many different reasons

[aziraphales-ineffable-bookshop]

I obviously cannot keep my obsessions to myself, so I started talking about Good Omens during book club and one of the other people there goes "Oh, the redhead demon and the white-haired angel I keep seeing everywhere?"

I mean yes but-

[dontmesswithnoheroin]

I finally got the romanced spawn!Astarion epilogue and my first epilogue in the game I'm ,,,,,,,,,,

I need to lie down

[stompandhollar]

Honestly the most revolutionary thing about Gravity Falls to me is its commitment to sincerity.

I’ve been listening to Alex’s podcast where he goes into the details of each episode with different storyboard artists and writers who worked on the show, and it just baffles me how… cared for the story is. Right now in media there’s been an uptick in satire, and shows making fun of themselves for existing, or taking the piss at their own content to “win” fans to their side. It’s like whimsy is gone from so many pieces of media. But Gravity Falls just doesn’t… do that. It completely embraces itself. Weirdness and all. And so does the team behind it. I’m not used to something I care about being so cared about by everyone surrounding it.

Here’s this cartoon, written and illustrated by an entire team of people saying, “no, we’re serious. we mean this. we made this on purpose and we made it important.”

Throughout the podcast, Alex discusses little ins and outs of each character, offering so much deep internal struggles and enriching the story even farther. And listening to him unpack it with the utmost sincerity just warms my heart. Each character is so dynamic because they were cared for by people who imbued them with sincerity.

That’s exactly why we get quotes like “Shame is powerful, but it grows in the dark,” as Ford realizes the trauma he’s hidden for so long is being embraced by his family, diminishing it’s weight on him through their immediate support.

It’s why we get Alex describing Stanley with quotes like; “I always in my gut thought of him as somebody with a huge well of sadness, a loss of human connection. And that need to please? That need to get laughs from the crowd, and putting on a big show? He’s trying to get from them the affection he never got from his family, and that he lost with his brother.”

Or detailing how Mabel might be a goof… but half the time she’s doing a bit, because she’s really more mature than her brother and doesn’t want him to grow up too fast. She’s trying to help ground him and bring lightheartedness into his life. Because she knows otherwise, he’ll become too self isolated.

And those two mini character studies he dropped so casually in these podcast episodes just… color the show. It’s why the show survived so well even after ten years. It’s gruff-old Stan always calling his niece “Pumpkin” and “Honey”. It’s the family always holding hands without it behind laced with a joke, and falling asleep on one another in the car. It’s Alex explaining that people toyed with other endings, other plot lines, other twists, but it was always going to end with Stan and Ford mending the family tie they severed thirty years ago. Because that was their story. Messes and family and care.

Ten years ago, watching it for the first time as it came out, I felt all that. But now, as an adult, knowing that all the other adults who made it felt the exact same way? :,) What a special story we all got to grow up with, and get to continue being apart of.

[pipermca]

New AO3 Tag Wrangling Policy and the Transformers Fandom

Edit in the event people come back to the original post: Please do not email AO3 about this issue. See their response about this issue!

(This is a long one, folks, but I think it's important.)

A new tag-wrangling policy on AO3 has the potential to create some massive confusion and chaos in the Transformers fanfic community, with regards to fandom tags. There is a Reddit post about it here with a focus on anime fandoms, but I want to give some concrete examples for the Transformers fandom on why we DO NOT WANT this, and why I think it's a horrible idea.

The Problem

Basically, AO3 is looking to get rid of the "All Media Types" fandom tag across the board, either by dismantling them or just not maintaining them. The Transformers - All Media Types tag has been an all-purpose tag that you could select when your story doesn't fall into any one specific continuity. Additionally, all most (see below) TF continuities on AO3 are considered a subtag of the Transformers - All Media Types tag. For example, if you look at the link above for all works in the All Media Types tag, you will see fics that are also tagged ONLY with Transformers: Animated, because it falls under the All Media Types tag.

One exception: With the upcoming Transformers: One movie coming out imminently, there will likely be a big influx of stories tagged with Transformers: One. In fact, there are several already. However, it hasn't been linked to the larger Transformers - All Media Types tag yet. I wasn't worrying about it though, because I know these things can take time.

With information about this new tagging policy, however, I'm now wondering whether it'll EVER get linked to the All Media Types tag. If that happens, and when more continuities are developed in the coming years (since you know Hasbro loves creating new universes) this has the potential to cause massive confusion when looking for stories to read.

Searching for Stories with the New Tagging System

So let's say the All Media Types fandom tag isn't accurate anymore, because it no longer includes ALL of the continuities (such as TF:One). You will need to include ALL the Transformers continuities when browsing for TF fics.

How many tags is that? Well, here are all of the tags currently listed under the Transformers - All Media Types tag:

Note that this doesn't include Transformers: One since it hasn't been categorized yet.

You will potentially have to have 40 or more different fandom tags in your search, just in case the author tagged their story with something you weren't expecting.

This massively decreases the findability of a story.

Tagging with the New System

The email response from the Tag Wrangling group (see the linked Reddit post above) seems to be a bit flip in the response to the user's concern. "...encourages creators to tag with the media they intend."

While I appreciate what they are attempting to do, this policy change feels like a solution in search of a problem, especially in larger fandoms with multiple continuities, versions, and media types that are all cross-pollinated in both canon and fanon. While I'm focusing on Transformers fandom, imagine a creator in the DC comic universe writing a story that incorporates bits and pieces from a dozen different reboots.

For example, let's say that I am writing a fic about Ratchet. I am using the setting of the original G1 episodes, but I also am using the characterization of him as a bit of an old man grump. That characterization originated in the Animated continuity, but I want to incorporate bits of pieces of his other characterizations as well (old friend of Optimus from TFP, Ratchet ran a faction-free clinic like he did in the War for Cybertron series, he's got a Decepticon boyfriend like in IDW1 - or maybe even Cyberverse, etc.)

With this new tagging structure, I might potentially have to tag the story with ALL of those continuities. So instead of just slapping down the "All Media Types" tag (and maybe one other fandom tag that matches the characters as best I can), I'll have to analyze my story and try to figure out how best to tag for the characters I used.

And what if you're doing a completely AU version of the story? For example, a humanformers story, or merformers? Using the All Media Types tag along with a Alternate Universe - Human or Alternate Universe - Mermaid tag worked perfectly, since you weren't writing the story to fit into one specific continuity. But now, that might not be an option.

What To Do??

The first thing I would suggest is to contact AO3 (using the Feedback and Support page) and let them know (nicely) that you think this is a horrible idea. Give them some examples on how you use the All Media Types tag to find stories to read, or to help you tag a story. People outside of the Transformers fandom don't always appreciate how absolutely tangled the continuities can be with each other, and providing examples might help them see why this would be a really messy change.

Readers: Be aware that when you are looking in the All Media Types tag, it will no longer show newer continuities. And if AO3 starts dismantling that tag like they suggested they are doing, be aware that some stories won't show up in that tag like they used to. You can also create and then bookmark a custom search page that includes all 40+ continuities. REALLY annoying, but it's a workaround.

Writers: Until they start dismantling the All Media Types tag, ALWAYS ALWAYS tag your stories using Transformers - All Media Types... Especially for newer continuities. This will be especially important if you are writing a Transformers: One story. Right now, anyone who is only browsing the All Media Types tag will not see a story tagged only with Transformers: One. Make sure you're aware of how tags work and how they can affect the visibility and findability of your story.

Epilogue

Ugh. That's a lot of words for a long-weekend Saturday. And maybe I'm overreacting a tiny bit. But my work involves information architecture, and this change just absolutely baffles me. It's almost as though they want to make it harder to find stories. Considering that AO3 won a Hugo partially because of its fantastic tagging system, this change seems like AO3 is doing its best to shoot itself in the foot.

When you have a square hole, a round hole, and a rectangular hole… Yeah, you DO want each peg to go in the "right" hole. But if all of the pegs fit in the square hole, who cares? You got the job done.

I love you @ao3org, but please reconsider this change... Especially for IPs that are as old and are as varied as Transformers.

[edorazzi]

I’ve followed you for a long time and your tintin stuff always looked so cool so I’ve been curious is tintin a book or a show if someone wanted to get into it where do you think they should start?

It's Tintin Day again, and an EXCELLENT question from a poor unsuspecting soul who fell right into my trap!!! >:3c

I've compiled a basic Tintin menu with some ways the character differs between depictions - not fully comprehensive but a nice selection of flavours! 🍦

Personally I'd recommend the 2011 Spielberg movie as a starting point; it's the most standalone piece of media and a real love letter to the whole franchise. Plus it's breathtakingly gorgeous, whether you enjoy the plot or not it's worth it for the visuals alone!!!

If you choose to continue - I'd pick either the comic books (the source media!) or the 1991 Ellipse/Nelvana cartoon series, which closely retells many of the same stories but shuffles the timeline around and generally sanitises things for a young audience. My late paternal grandparents rented the VHS tapes from the library whenever we visited - it's so very, very cute and has a real soft place in my heart! 💖

The 60s live-action movies are lovely; but less accessible and probably better with preexisting knowledge of the franchise. The 50s Belvision cartoon... exists. And we don't talk about 1929 Tintin, he isn't real and he can't hurt us.

I hope this is helpful, or at least fun! And it's important to remember that while the comics do contain period-typical racism, xenophobia and other outdated views; part of the joy is watching Hergé's deeply conservative stance change as 50 years of research took him around the world meeting real people and learning about their experiences. He shared his own education through Tintin and that's such an important thing!!! 🌎✨

[apas-95]

Is there a story behind China's one child policy that makes it not as horrifying as western media claims?

The defining feature of China's development for the past 70 years has been the urban-rural divide. In order to develop a semi-feudal country with a very low industrial level into an industrialised, socialist nation, it was necessary to develop industrial centres. To 'organically' develop industrial centres would have taken many decades, if not centuries of continued impoverishment and starvation, so programs were put in place to accelerate the development of industry by preferentially supporting cities.

Programs like the 'urban-rural price scissors' placed price controls on agricultural products, which made food affordable for city-dwellers, at the direct expense of reducing the income of rural, agricultural areas. This hits on the heart of the issue - to preferentially develop industrial centres in order to support the rest of the country, the rest of the country must first take up the burden of supporting those centres. Either some get out of poverty *first*, or nobody gets out of poverty at all. The result being: a divide between urban and rural areas in their quality of life and prospects. In order to keep this system from falling apart, several other policies were needed to support it, such as the Hukou system, which controlled immigration within the country. The Hukou system differentiated between rural and urban residents, and restricted immigration to urban areas - because, given the urban-rural divide, everyone would rather just try to move to the cities, leaving the agricultural industry to collapse. The Hukou system (alongside being a piece in many other problems, like the 'one country two systems', etc) prevented this, and prevented the entire thing from collapsing. The 'one child policy' was another system supporting this mode of development. It applied principally to city-dwellers, to prevent the populations of cities expanding beyond the limited size the agricultural regions could support, and generally had no 'punishments' greater than a lack of government child-support, or even a fine, for those who still wanted additional children. Ethnic minorities, and rural residents, were granted additional children, with rural ethnic minorities getting double. It wasn't something anyone would love, but it served an important purpose.

I use the past-tense, here, because these systems have either already been phased out or are in the process of being phased out. The method of urban-rural price scissors as a method of development ran its course, and, ultimately, was exhausted - the negative aspects, of its underdevelopment of rural regions, began to overwhelm its positive aspects. So, it was replaced with the paradigm of 'Reform and Opening Up' around the 1980s. Urban-rural price scissors were removed (leading to protests by urban workers and intellectuals in the late '80s), and the Hukou system, along with the 'one child policy', were and are being slowly eased out as lessening inequality between the urban and rural areas make them unnecessary. Under the new system, the driver of development was no longer at the expense of rural regions, but was carried out through the internal market and external capital. The development paradigm of Reform and Opening Up worked to resolved some contradictions, in the form of the urban-rural divide, and created some of its own, in the form of internal wealth divisions within the cities. Through it, over 800 million people were lifted out of extreme poverty - almost all of them being in rural areas - and extreme poverty was completely abolished within China. 'Extreme poverty' can be a difficult thing for westerners to grasp, wherein poverty means not paying rent on time, but to illustrate - many of the last holdout regions of extreme poverty were originally guerrilla base areas, impassable regions of mountainside which were long hikes away from schools or hospitals, wherein entire villages were living in conditions not dissimilar to their feudal state a century before. These villages were, when possible, given infrastructure and a meaningful local industry accounting their environment and tradition (like growing a certain type of mountainous fruit), or entirely relocated to free government-built housing lower down the mountain that was theirs to own. These were the people the 'one child policy' was aiding, by reducing the urban population they had to support. Again, there were exemptions for rural and ethnic minority populations to the policy.

Even now, Reform and Opening Up is running its course. Its own negative aspects, such as urban wealth inequality, are beginning to overcome its positive aspects. So, the new paradigm is 'Common Prosperity', which will work to resolve the past system's contradictions, and surely introduce its own contradictions in the form of chafing against the national bourgeoisie, as it increases state control and ownership of industry, and furthers a reintroduced collectivisation. Organising a nation of well over a billion people is not simple. It is not done based on soundbytes and on picking apart policies in the abstract for how 'dystopian' they sound. It is an exceedingly complex and interconnected process based on a dialectical, material analysis of things; not a utopian, idealist one. What matters is this: those 800,000,000 people now freed from absolute poverty. The things necessary to achieve that were, unquestionably, good things - because they achieved that. They had their negative aspects, as does everything that exists, but they were unquestionably correct and progressive things.

[kingofthewilderwest]

To everyone who asked, and to everyone who didn't:

Yes. I have somewhere between 1,000 and 2,000 of TwoSet's videos, all in HD quality. LINK BELOW

Earlier this year in 2024, I downloaded every single TwoSet Violin public video from their YouTube and scoured other sites like Bilibili and Facebook to get videos they'd deleted from at least one platform. My goal was to make some fandom compilation videos that'd require going through every video.

I do not have the last few months of 2024 (which I'm kicking myself for... I literally almost did a download update on SUNDAY). But I have almost everything.

2 mil, 3 mil, 4 mil, Fantasia, Hilary Hahn or Ray Chen collabs, Producer Shaun, professional versus beginner, violin charades, that cheeky skit you shared on Facebook in 2016

Their world tour VODs, including my own personal captures of their latest VOD stream

Some of the content from their Facebook kickstarter livestreams that I found from other fans.

I've been collecting all their TikTok videos currently, too. I've downloaded a spattering of their Instagram stories from 2024 and might have a small collection of recent Instagram videos, too.

I do not have everything, but I have a fuckton and I want to share it with as many people as possible, and collaborate with as many people as possible to fill in the missing pieces.

Please contact me if you have your own archives or know people working on other archives. I'm talking with a few people about starting a Google Drive project, but I don't know the big names in the TSV fandom and thus could be missing out on people who've done a lot of other work

It's more likely that this will clear over in the coming days / weeks / month / whatever and we'll have their official channel again. I'm still going to keep believing that. But it doesn't erase the importance of making sure the media we love doesn't become lost media. I have respect for content creators to monitor what does and doesn't stay on their platform, but for the sake of preservation of media, for the sake of helping a community, I want to make sure this archive is in place and widely accessible to TwoSetters.

My current cloud server is VERY MUCH a work in progress. I am in the middle of an extremely busy week and trying to do this around an office job and a half. It will take me time to upload everything, and even more time to organize everything. But the cloud server link is active, and I will keep people updated about the progress of my archiving through a PDF text file (not yet uploaded) in said cloud. If I collaborate with people for Google Drive systems, if I do other backups, I will let people know there and on my other social media accounts.

I am new and naive to Terabox. I started with Terabox because it's free to upload up to a terabyte of content. I think it should be free to download everything in full quality, but I don't know. People should inform me how it works. It's currently -- I'm sorry -- VERY poorly organized and requires Scrolling (TM), but short of that issue (which will be fixed with organization), I hope it gets people what they need.

Also: Reddit has suspended me for a few days lol (really I'm getting a slap on the wrist for how blatantly I was marching about), so if people want to start spreading this link to others in private chats elsewhere with known TwoSetters, the more the merrier! The purpose of this is to be a resource, either short-term or long-term.

[qqueenofhades]

I think the Aaron Sorkin fic people are writing about the convention to be extremely silly. It's going to be Biden. And if Biden's health takes a downturn and he feels the need to step down its going tk be Harris. This fantasy where we skip over her to whip up two random white guys(or like maaaybe Witmer) and somehow cruise to victory instead of fragmenting the party months before the election is simply not going to happen.

Look, I'm just saying, I got an email from the Biden campaign this morning where they seemed pretty darn happy with the actual (i.e. not-bloviating media) results of the debate: $38 million raised in 4 days ($30 million from individual small-dollar donors), 10K new volunteers in a week, 3x surge in campaign volunteers for battleground states, essentially no change or even a modest boost in the polls. So I think at this point, we can cautiously conclude the following things:

The debate looked bad for Biden, perhaps, but doesn't seem to have hurt him nearly as much the incredibly bad-faith BIDEN NEEDS TO STEP DOWN NOW takes being pumped out by the NYT and its other compatriots would suggest. Especially when these same media outlets have been gleefully sabotaging Biden at every turn for years already and whose fake-sanctimonious hand-wringing "for the good of the nation" pieces honestly should get them dropped into Superhell for Bad Journalists;

Biden went to Raleigh NC right after the debate and gave a fiery rally speech that was very well received. Now, I don't know why we didn't have that Biden at the debate, but it was the same night and there clearly was not any "cOgnItiVe dEcLinE" happening there (also Biden has a stutter and has for literally his entire life, and had a cold on debate night, so it was just an unfortunate confluence of factors)

There are very few actually undecided voters in this election (once again: HOW???) and those who tuned into the debate were largely already convinced of which candidate they were voting for and this didn't do much to change their minds. Just like, you know, pretty much every other debate in the history of presidential elections.

Ordinary voters, and not mainstream media outlets with BIDEN IZ BAD goggles clamped over their eyes, were able to see Trump's insane Gish gallops, lies, and full-blown dementia; this isn't going to get any better for him when he's already lost 20%-25% of GOP voters in every state primary and still is going to be sentenced in his criminal trial;

The D.C. political elite screaming about how Biden should step down (FOUR MONTHS BEFORE THE ELECTION) and leave the Democrats to start from scratch with some Star Chamber-selected candidate with no money and no incumbency record and no organization apparatus and a divided party are either fucking weapons grade morons or working secretly for Trump, because that IS in fact the best way to lose the election;

Such speculation seems to fall chiefly on Gavin Newsom, who (to his credit) has shut down any and all suggestion that he should try to step in and take the place of an incumbent who has won every state primary with 90% or more, because he's remotely sane and understands that this year is too important to fuck around with;

I've somehow never seen any suggestion that Biden should step aside for the duly elected (brown, female) Vice President, because everyone seems to think some Young Miraculous White Guy is coming and/or should step in;

All this while SCOTUS is clearly so confident of Trump getting back in that it's willing to grant him Absolute God King status pre- and post-emptively;

Yes, Biden needs to up his game before the next debate (though that's on Fox News iirc, blargh), but I think it's far enough post-debate that we can say it was bad but did not sink him, and if anything, reinforced the fact to many ordinary, non-brainwormed voters that Biden is old (which has been the number one chief theme of news coverage for four years and is no surprise to anyone) but is a decent and principled man doing a good job, while Trump is an absolute gibbering insane orange shitmonger fascist. I don't think he did himself any favors in that regard.

....anyway. The point is, do not be fucking insane people, Biden is not going to step down and frankly shouldn't, don't read the NYT (as noted, they've openly admitted to sabotaging him for personal ego reasons so I don't know why the hell anyone would listen to what they have to say about him), this is still an eminently winnable election, and let's go get those motherfucking fascists. I want Trump in jail and all of SCOTUS and the MAGAGOP fucking crying over it because they fucking suck. Let's go.

[eunnieboo]

IYHM ask replies! (2/3)

🌸 @csevet asked:

hi my copy of iyhm just came in and my fiancee and i snuggled up and read the whole thing cover to cover and CRIED!!! i love when lesbians 💕💞💝💗💝💗💘💞💖💗💝

AHHHHH thank you SO much!!! OMGGGGG 🥺 live laugh lesbian..... 💞💗💖💕💖💞💕💖💗

🌸 @chrysalis-the-butterfly asked:

I read If You'll Have Me a few months ago and I loved it! Your art is so pretty and Momo and PG are such cool characters! 🥰 If you're okay with sharing, I'd be interested to hear what inspired you during the creative process? Were there any pieces of media or any other characters which influenced the formation of Momo and PG? Or did you do your own thing?

oh my gosh! thank you!! i really love character interactions and relationship dynamics, so i wanted to depict two girls who seemed like opposites - one cool and laid-back, the other soft and sweet. after a while they started to take on a life of their own, and i thought it'd be wonderful if their story could evoke the feeling of a shoujo romance!

i had a lot of things on my mind when i wrote the script... friendship, intimacy, communication... communication can be so hard! sometimes it's harder with someone you're close to because their opinion is so important to you. and what happens when you've got a character who's non-confrontational and has low self-esteem + someone who prefers actions over words, and would rather burn bridges than admit to feeling vulnerable? how would they get past that? i wanted to write their flaws as believable, and how their life experiences have shaped the way they think about themselves / the way they respond to personal conflict... but also how they learn from each other and grow ❤️ tysm for the question!!

@bisexualgoof asked:

Hi Eunnie! I just finished reading “If You’ll Have Me” and let me tell you, it was spectacular! I saw it in a local bookstore the other day and it was a no brainer to grab. The characters are so fun, the story is beautiful and heartfelt, and honestly every character is attractive… I especially fell in love with the pages of the books without words, especially 312-313, it made me cry. Such beautiful art! I related to PG’s annoyance with her long hair, I felt very seen with her comments. I’ve definitely said “I’d like to forget” so many times myself, right to my butch heart haha. Thank you for sharing this story with the world, and thank you in particularly for your acknowledgment at the end of the book, it made me feel seen. What an amazing love story, hope to see more of this adorable couple in the future!

oh my goodness!! this is so lovely and wonderful and ahhh T_T thank you so very much. it's such a dream, having these girls be out in the world with their personalities and backstories revealed at last! and i'm so happy to hear about the cast and side characters, i love designing people hehe ♥ i'll definitely keep drawing this couple, alongside more sapphic couples that are to come 😍 thank you!!

🌸 @skittles-rainbow-cat asked:

HI HI HI!!! you’ve been one of my fave artists forever and i just got done with iyhm and it’s sooooo amazing im in love with it. also i think strawberry blonde by chloe moriondo fits mono and pg very well :] i hope you’re having a good day and thank you for all your art it heals me in many ways <3333

HIIII omg!!! thank you so much! this song is so cuteeee oh my gosh this line:

Takes my hand in hers when the lights aren’t on Smaller than mine and oh god I am gone

it's so sweet ;_; thank you forever, i hope you're having a wonderful day!! <3 <3 <3

🌸 @lord-of-the-froggies asked:

Howdy Eunnie! I know you're probably swamped with work right now, but I just wanna let you know that I got my copy of your book today!! I'm gonna start reading it right away, it looks and feels amazing. From a fellow Washington artist to another--congratulations on such a huge achievement!

yay hello fellow washingtonian! and fellow artist!! thank you so much for your kind words 🥺 and i'm so glad the book got to you safely! wishing you a happy read~

🌸 Anonymous asked:

I just found your art today and after scrolling through your stuff I went and pre-ordered your book. I'm so excited!!

omggg thank you that means so much!!! ;_; <3

🌸 @ddooyoung asked:

I got my (signed!) copy of the book, and I love it SO MUCH. It's everything I was hoping and more. I love finally getting to know them, especially Momo. Since the first time I saw them, I thought Momo was a lot like me and now I have confirmation 😆 Thank you so much for writing such a wonderful story!!! I'm excited for everything you do 💗

WAHH thank you so much!! yesss i'm so overjoyed to finally share their story after so long! i hope the signature turned out okay, i was very nervous signing books for the first time (shaky hand and everything) 😱 i think next time it would be fun to make a custom stamp and stamp a doodle next to my signature hehe. thank you again!!! 💕

🌸 Anonymous asked:

I somehow missed the news about your having created a whole damn book?? was just flipping through yu & me books's holiday gift guide and did a double take when I saw priscilla and momo!! zoomed in and sure enough, there was your name at the bottom! congrats on ihym and congrats on being featured on rec lists from shops as cool as yu & me 🎉😍

omggg thank you thank you!! 🥰 AHHH yu & me books looks so amazing! i've been to new york just once but if i ever get to go back i have to visit them... i'm always looking for indie bookstores to throw my money at 😤

🌸 Anonymous asked:

1. Will there be an “if you’ll have me” sequel? 2. Is Momo her full name or a Nick name? If it’s a Nick name what is her full name? Thank you i love your work! ❤️😊

ahh there's no sequel planned as of right now! but i'd love to make one if i get the chance... i have some ideas that i think would be fun <3 and momo gardner is her full name! i liked gardner because it made me think of flowers ☺️❤️ thank you so much!!

🌸 @upsidedown-shadow-dreamer asked:

Hello, long time fan here. If You'll Have Me was delivered an hour ago and I've already finished my first read. OMG it's AMAZING. I love the story, the beautiful art, the inner thoughts, the pacing, the page color changes for back story… Just major WOW. I hope you are so proud of this work. I'm already looking forward to reading it again. Thank you!!!

this is sooooo AHHHHH T_T i'm in tears. i can't tell you how happy and thrilled i am to hear this!!! it's so encouraging and uplifting and ahh!! i want to make more stories... and just knowing that this book will be read by the same person more than once, omg! it's truly the highest of praise. thank you from the bottom of my heart <333

🌸 Anonymous asked:

Hello!! I just remembered I could borrow graphic novels as e-books from my local library, found IYHM, devoured the entire thing in one sitting, then went through your tags so I could look at all your other IYHM art, and I was wondering if you'll make more stories about Momo and PG because I can't get enough of them! Absolutely obsessed with these two and I love seeing them so happy together 💖💖💖💖

hello!! oh i'm absolutely over the moon about this! i can definitely see myself making a follow-up book if i'm so lucky 🙏 but i'll keep on drawing more minicomics and illustrations no matter what!! thank you so much for this wonderful message 💕💕💕💕

🌸 Anonymous asked:

hi!! love love love your art!!! do you think we can expect to see another graphic novel about momo and priscilla in the future?

🌸 Anonymous asked:

I’ve read IYHM so many times already and I absolutely loved it!!!! Are you planning on writing another book with Momo and PG? Is is there a way we can buy more of your stories?

thank you both so much!!!! <3 a sequel is actually one of the ideas i pitched for my second book! my editor cautioned against it in case IYHM didn't perform well, so i ended up going in a different direction - but my fingers are crossed for future opportunities 😤 realistically, it will probably depend on sales... but for the record, i'd want to do one regardless of the numbers...

i have one more book coming out, which i'm working on right now! the timeline is a bit up in the air atm but i'll try to keep everyone posted. making a book is so slow but i'm so grateful to you all for waiting 🥺💛

🌸 @randomqueernoun asked:

Do you make webcomics for other apps/websites? If yes where can I find them and what do I search in them to find your comics?

ahh not at the moment! but thank you SO much for the interest! one of my biggest goals right now is to set up a website where i have all my work in one place, and that would definitely be the place where i post future webcomics 👀

also, just as an aside... i want to make webcomics so bad. i think after my next book, i might take a break from traditional publishing to do that. sometimes i can't believe i'm drawing hundreds of pages i can't post... i'm like, how are people supposed to read this if i can't show them? how will they know?! ahh it kills me... but yes... someday!!!

part 3 to come~

[olderthannetfic]

Ok. Dumb question incoming, but I'd much have a 'conversation' than try to read fanlore or watch video essays or something because I want to hear individual people's contributions.

Why Star Trek?

Don't get me wrong - I like the franchise! I'm not super duper familiar with it, but I do enjoy the bits and pieces that I do know. But I am wondering why that in particular is hailed as the grandmother of all fandoms? Obviously people were fannish before Trek, but I don't think anyone can deny the impact that OG Trekkies had on fic, zines, and eventually on the internet.

I know that it's always been popular and well-liked, but it's not as if there was NO SUCH THING as popular culture/fan culture before that (I mean, come on, the term "parasocial" predates the first Star Trek episode by 10 years!) . Was it just a perfect mix of timing + popularity + etc? Is there something in particular about ST that "hit different" than other series at the time? Or is the fandom really really just that mighty and it's almost "luck" in a way? I guess I'm wondering what particular dominoes cascaded in a line in order for Star Trek to have the impact on fandom that it does today.

or am I wrong? were there just-as-big fandoms before and I simply overhype Trekkie power in my head / happen to see more talk of that than I do of other fandoms? It could definitely be a social circle bias thing.

Ugh. Asking OTNF why Star Trek is so important to fandom history feels very much like asking a Russian History major why War & Peace is so important to literature - hence why I warned you that it'd be a dumb question! But I am just so damn curious what sort of crack was in early ST fandom that made it SO widespread and SO strong.

Like, I guess the TLDR is: what was particularly 'different' about Star Trek, either as a fandom or as a franchise or both, that made it Theeeeee OG fandom, rather than something, like, i dunno, LOTR or the earliest versions of Marvel/DC comics or General Hospital or something else like that?

--

I await the hordes of angry Man from U.N.C.L.E. fans eager to prove that they were first.

And, no, it wasn't that popular. Hence the aggressive Save Our Show campaign and explosion of fan culture when it ended after three seasons.

Part of the answer to your question is that there were like three things on TV at the time. What big fandoms? 'Parasocial' was about non-subculture people feeling warmly towards news anchors or hosts of variety shows or something, wasn't it?

LOTR got rediscovered in the 60s or 70s from what I hear, but science fiction and fantasy books were for fringe weirdoes. SFF was not mainstream for the most part. There are a bunch of History of Book SF Fandom things on Youtube, and you should consult them on the complex role of LOTR in that space. LOTR wasn't a mainstream thing until there were live action movies a billion years later.

The key about Star Trek is that it was a hit with the pre-existing book SF crowd. They were an organized subculture. Some of their favorite writers wrote episodes. Other shit on TV was for people who did not form subcultures in that way. Other shit for SF fans had an audience 1/10,00th the size.

MFU was insanely popular. Illya Kuryakin was the heartthrob of a certain era of girl and inspired many a Russian major. (Seriously, there are soooo many Russia-boos of a certain age who probably still have a poster of him somewhere.) The actor set a record for fanmail. The show may have more influence on fandom history than we think now, but it also didn't rerun the way Trek did, at least in some eras, and it didn't have sequel series in a franchise. I'm always finding 2015 movie fans shocked that there's a still extant and semi-active fandom—or even shocked that the movie is based on something.

Starsky & Hutch was also hugely important and is the moment slash fandom and "Media Fandom" really split from book SF fandom. As Trek fans moved on to buddy cops, they were into a completely mainstream show but in a non-mainstream way. Trek was an awkward bedfellow at SF cons, but S&H just didn't fit at all.

Of course, while Trek is the grandma of AO3 type fandom, don't forget that a shitton of modern fans who are doing "research" just look at the same few sources. Enterprising Women is great and all, but even other fans of the same stuff are like "Oh, that was just X's friends. Where's [thing] and [thing] and [thing]?" Ditto Textual Poachers and the other scant early sources that people think have academic weight.

While Trek would still be central, the picture of what was going on in the late 60s-early 80s would look a bit different if you just found a bunch of 70-something nerds and asked them than if you regurgitate other people's research, you know?

If you want an idea of what else was going on in SF fandom back in the day, check out Galactic Journey, where they roleplay that it's 55 years ago and review SF things "as they come out".

If you want to understand MFU, here's a vid of Illya:

--

What say you, readers?

What have acafandom and fandom history and meta left out?

[spartanseagoat]

Pluto Capricorn-End of an Era

Guys, we are coming to the end of an era! Use this week to look back on the last 16 years of your life.

What lessons did you learn?

Pluto has been in Capricorn since 2008! Things that have changed

-the political world stage. Politics is not the same as a bygone era. It’s been a slow change but it’s definitely different.

-the corporate world and how people do business has also changed. Social media is at its all time high and so many businesses has gotten it start and recognition this way. Social media is a business itself

-the grinding era. Work hard and achieve your dreams has been the biggest hot topic. People are realizing, hard work is not enough. Doing it on your own is not enough. The ways of our grandparents doesn’t work because this isn’t the same world anymore. What was once a ladder is now a mountain.

-goals and ambitions have shifted. What’s more important to you now

The old ways has been crumbling piece by piece but I promise this is a good thing. We are evolving as a collective.

Pluto= death and rebirth

Capricorn= old traditions

Those who have strong Capricorn energy will feel a huge relief after November 19th.

The other cardinal signs: Aries, Cancer and Libra will also feel this relief

Congratulations Capricorn especially because you have went through hell and back, have lost everything and have grown to a powerful person. Rejoice!

[sysmedsaresexist]

The Big "Is RAMCOA Antisemitic?" Debunk Post

Because I have to stay relevant, here we go

Let's start with a little speech. A bit of positivity.

You know, there is something good to said about this RAMCOA antisemitism discourse. The majority don't seem to be falling for it at all, and many are becoming more educated about the panic, RAMCOA/OEA and its history (the good and the bad) than ever before

RAMCOA/OEA a very real issue that deserves awareness and advocacy, and so far, I've noticed a massive surge in members of the community researching the ISSTD and the OEA sig's work.

It has brought antisemitism into light in a way that hasn't really been talked about on a large scale in system communities, and most don't know ever existed. Many, genuinely, had no idea that the satanic panic was antisemitic in these ways, and it's putting a lot of pieces together and adding a lot of context that'll help us grow and be better people going forward.

It's been really nice seeing such a positive shift to open, educational conversations, with people genuinely wanting to know the truth and unlearn harmful associations.

SAS stands with RAMCOA and OEA survivors.

So let's get into it.

SRA and The Memory Wars, lasting results

SRA started with Michelle Remembers, a book, in 1980. It resulted in thousands of unsubstantiated claims of abuse, daycare hysteria, set CDD research and OEA abuse back decades, affected millions, and to this day conjures images of cloaked figures sacrificing children.

The ISSTD was formed in 1984, amid the panic, with the goal of quickly developing an effective treatment and documenting the disorder as thoroughly as possible. Many mistakes were made. Clinicians aren't immune to societal panics, and lessons were learned the hard way.

I think an important distinction that many have forgotten is that the ISSTD's principal controversy isn't SRA. SRA didn't start or end with the ISSTD.

While the “Satanic Panic” played out in courts and in mass media, the ISSTD entered “The Memory Wars”, and it's this that they're most controversial for. False, implanted, and fostered memories weren't solely related to SRA. It was used to discredit all types of abuse and violence and is still used to this day to silence victims.

By the 1990s, therapists were being sued, licenses were being revoked, and members were fleeing the ISSTD. The False Memory Syndrome Foundation wouldn't be created for another couple of years, but that doesn't mean its founding members weren't already wreaking havoc.

The FMSF would be created in 1992, and their bigger and better attacks on therapists were brutal and persistent. The legal battles would be especially effective at causing therapists to refuse to work with victims of abuse.

Research on ritual abuse, CDDs, and repressed memories came to a grinding halt.

The Satanic Panic eventually fell into relative silence by 1995, but false memories lived on, loud and cruel.

The FMSF would eventually begin to write college textbooks for the next generation of clinicians. It would survive until 2019.

The ISSTD is still trying to regain its membership. It's only recently that they reached 1500, the highest since 1993.

Antisemitism, blood libel, and the satanic panic

If you're confused about how everything is related, I'm going to make it very simple so you grasp the basic idea.

This is not a history lesson.

Blood Libel, or ritual murder, is the idea that Jewish people sacrificed Christian children in religious rituals. Cloaked figures performing rituals and killing children and animals. The same thing you picture when you think of Satanists and rituals.

For those who recognize the connection (racists), this fuels their sentiments and creates a language for them to speak to each other.

It is true, a basic fact, that for many people, Satanists are anyone who doesn't worship the Christian god. Including and especially Jewish people.

SRA and RAMCOA

Depending on who you ask, the connection is either that:

MYTH: the ISSTD originally called their RAMCOA sig (Special Interest Group) the SRA sig. FACT: The RAMCOA sig, one of twelve ISSTD sigs, was created in 2008. There was never any kind of satanic ritual abuse group or association within the ISSTD.

FACT: Ritual abuse, the RA in RAMCOA, still has ties to SRA and brings to mind everything from the panic. ALSO FACT: That's why the ISSTD has renamed it to the OEA sig.

Hopefully we're all on the same page now.

Who's Grey Faction?

Grey Faction is a group of the TST (The Satanic Temple) and is closely related to the FMSF. While the FMSF generally attacked all types of abuse, GF, being related to Satanism, is focused on recovered memories and the (still alive) satanic panic. They believe that all reports of false memories supports satanic panic conspiracy theories. They continue the FMSF's work.

How did we get here?

Well, TST and GF are on reddit. Syscringe is on reddit. And now syscringe is here.

This is what syscringe bot says every time RAMCOA is brought up.

That link goes to Grey Faction.

So is RAMCOA Antisemitic?

Kind of yeah. It was a really good move of the ISSTD to change the name to OEA sig. They talk about the association on their website and stated they wanted to get away from that. No one won the satanic panic. Ritual abuse is real, but its history is tainted.

The discourse around RAMCOA isn't about helping Jewish people. At least, not for the people pushing the false connection that the ISSTD started and continues to maintain the panic to this day.

It's about discrediting the ISSTD and the trauma theory. It's about silencing victims, even Jewish survivors.

It's about ignoring that the ISSTD is making moves in the right direction.

It's about continuing the idea that false memories exist and that trauma memories can't be trusted or taken at face value. It's about downplaying the depravity of abusers and the lengths they'll go to.

I want to finish this post with a letter from a very dear friend. It's not a mod on this blog, simply someone wishing to stay anonymous.

Uplift Jewish Voices

Hello, I’m Noam, an ethnic and religious Jew. I face antisemitism on the daily and deal with having DID. I am not a RAMCOA survivor, but I have a number of friends who are. Today I’m here to talk about the recent discourse going around regarding whether claiming to have RAMCOA experiences is inherently antisemitic. TLDR: no.

Let’s start with understanding why people think this. The term ritual abuse originated from the term satanic ritual abuse and is often associated with the satanic panic. The satanic panic in the 80s and 90s was extreme and yes, did involve a lot of antisemitic conspiracy theories. People would suggest certain symbols or music or groups of people (often vague, or calling it a nationwide conspiracy) were “brainwashing” these “good Christian children” into satanic practices or straying from rigid Christianity. Jews are often stereotyped as Satanic, controlling things, and murdering and cannibalizing children/babies.

Ritual abuse nowadays is often still associated with Satanic cults, but it has a much broader and less accusatory definition in medical/therapeutic spaces. Per Schröder et al. (2018), “ritual abuse occurs when a religious, political, or spiritual authority uses its position of power and the sovereignty to interpret the respective belief system to manipulate and dominate its followers.” Some examples include repeated forced creation of CSEM, religious and other types of cults (yes, including satanic, but also Christian and other religions), and being forced to abuse others (Schröder et al., 2018). Trafficking is also a type of organized abuse. We know these types of abuses happen. But given the history of RA as a term and the harm claims of SRA caused, how does one determine whether something is a conspiracy theory or actual trauma someone experienced?

This page by the European Commission does a good job of talking about identifying conspiracy theories and the harm they do. I won’t recount the whole thing, but here are some basic things they state conspiracy theories have in common: a secret plot, a group of conspirators, unfounded/unreliable evidence, suggesting everything is connected, dividing the world into good people and bad people, and scapegoating certain groups (“Identifying Conspiracy Theories,” 2020).

What makes (many) stories of RAMCOA different from antisemitic conspiracy theories? I’m glad you asked!

• The secret plot in conspiracy theories often involves a large group of people in on some secret changing something about the world or identifying a secret thing that must have happened to lead to unfortunate current events. RAMCOA tends to stem from people or organizations working on a much smaller scale, and the things they are doing mostly affect the person/people experiencing this abuse. Abusers may try to instill in victims a sense that they control a lot about the world and the events that happen within it, but they don’t.

• A big question I like to ask people who spout conspiracy theories is “who is they (the group of conspirators)?” If they is some generic big bad, the government, “elites” (see the AJC’s Translate Hate Glossary section titled “cosmopolitan elite”), or vague and unknown, it’s usually a dogwhistle for Jews. The person themselves may not realize this, but perhaps they never looked further into the evidence behind these accusations and who those being accused are. RAMCOA perpetrators are not vague to their victims. They often have familial ties or other close relationships with them that allow the abusers to gain their victims’ trust (Schröder et al. 2018). The things they do to abuse people and the methods they use are not vague or mysterious actions to achieve an end. There are specific actions and tactics that cults and authority figures use for RAMCOA.

• Whether evidence is unfounded is a harder thing to distinguish, since many survivors of RAMCOA cope using dissociation or have an amount of dissociative amnesia around traumatic events (Shröder 2018). The Europe Commission suggests three main things to check for in regards to evidence about a claim. Who is the author and why are they writing this? Is the source reliable/reputable? Is the tone and style “balanced and fair or sensationalist and one-dimensional?” (“Identifying Conspiracy Theories,” 2020). I also like to think about, especially with regards to abuse survivors, if this is a conspiracy theory, why are they telling me the things they’re telling me? Most RAMCOA survivors I’ve met avoid talking about their trauma and are more focused on figuring out if what they experienced is real and how to heal from it. They are not trying to convince me of something; they are just sharing their story and looking for support.

• RAMCOA victims I’ve talked to, particularly those with DID, also have a more complex view of their abusers or are trying to come to terms with all the bad things someone they admired, trusted, and/or loved did. Conspiracy theorists tend to separate people into conspirators or innocents. There is no middle ground. Healing for a lot of abuse victims involves realizing that good people can do bad things and bad people can do good things; the world is not black and white.

• Scapegoating often involves generalizing and demonizing certain people or groups of people. I find a lack of seeing these “others” as human or wanting anything other than a single, unified goal. It also tends to involve assumptions much more than any personal experience. Anyone with even the slightest connection to a certain ideology is evil. RAMCOA often involves many victims, many of whom understand that other people involved with the organization that hurt them are also victims or have been scared or brainwashed into further perpetuating abuse.

• Also, while satanic panic was largely about going against Christianity, many religious cults are associated with particular sects or communities within Christianity, and they use certain ideologies within the group to deter people from leaving or reporting abuse. Perpetrators claim some sort of punishment or betrayal will be involved in these actions.

Anyways, I want to put emphasis on healing in RAMCOA survivors, where many of the points and purposes of conspiracy theories are antithetical to such a process. People should be allowed to find support, community, and reliable resources about what they have gone through (if it is physically/mentally safe for them to do so). Please do not insist that these traumas aren’t real on the basis of antisemitism from the satanic panic. The survivors I’ve met who talk about parts of their trauma are working hard to come to terms with it themselves and how to cope, and while they may be angry and upset towards their abusers, they do not try to insist to me how evil a group is and that there is a need to take direct action against them. They are just trying to survive.

Now, ritual abuse as a term and the history of its use is something I think needs more discussion. I would love to see more research about how the term evolved within medical/therapeutic spaces and how much of a connection the current definition and use has to antisemitism. But regardless of what we end up calling these types of abuses, there are real examples of them and people who have empirical evidence that they have been through such experiences.

Furthermore, I have a problem with a lot of the claims of antisemitism in relation to RAMCOA coming from goyim (AKA non-Jews). You are not the authority on antisemitism. You do not get to claim to defend us while not speaking to us about the topic. There is so much antisemitism going around, but I find so few people willing to listen to Jews when we talk about the struggles we face. (The SAS mods are an example of exceptions to this. I appreciate the amount I’ve been able to talk to them and how open and supportive they are. I love y’all.) Encouraging hate and disbelief is not helpful to us. What’s helpful is doing your research and learning about how to recognize and combat antisemitism. Take your energy where it’s needed, thank you.

European Commission. (2020, August 12). Identifying conspiracy theories. European Commission. <https://commission.europa.eu/strategy-and-policy/coronavirus-response/fighting-disinformation/identifying-conspiracy-theories_en>

Gerke, J., Fegert, J., Rassenhofer, M., & Fegert, J. M. (2024). Organized sexualized and ritual violence: Results from two representative German samples. Child Abuse & Neglect, 152, 106792. https://doi.org/10.1016/j.chiabu.2024.106792

[evertomorrowart]

Best of YouTube 2023

Yes, I did spend the first week and change of January on this. I wish I could have had it done for New Years, but too many people came out with incredible work in December, so waiting turned out for the best.

What these creators do are a huge influence on my life, I would honestly have difficulty doing what I do without them. That isn't to say that my favorites of the year are *only* on this image--It was almost impossible to narrow down my favorites. Many creators I wanted to include couldn't fit on a single page, and too many of them made more than one video I wished I could draw too!

But, to all of you, thank you for what you do. You're an inspiration.

For those who don't know, further is an explanation.

At the bottom center is an artistic masterpiece by Defunctland: "Journey to EPCOT Center: A Symphonic History." Over the last several years, Defunctland has risen from delightfully-entertaining commentary on decommissioned theme park attractions to occasionally dropping profound statements on the creation of art itself. "Journey to EPCOT Center: A Symphonic History" is worth treating like the cinematic experience it is: No second screen, you sit your ass down in front of a TV, set down the phone, and then you *watch it.* Any Disney, theme park, or independent film fan needs to pay attention to this one.

Bottom left is Caelan Conrad with their piece "Drop the T - The Deadly Consequences of Gay Respectability Politics." While I do think they've done more visually or artistically-daring pieces before, "Drop the T" is one of the most important videos released on YouTube in today's current climate of hate. We as queer folk (and our allies) need to understand how integral every identity of the queer experience has been since the start of the Civil Rights movement (and before!). While we are not identical, we *are* inseparable, and we deserve having our real history easily accessible.

TERFs and other conservative mouthpieces need not reply. Your opinions are trash. 😘

I cannot stop watching and rewatching this video by @patricia-taxxon, "On the Ethics of Boinking Animal People." It's not just a defense of furry fandom and its eccentricities, it's a thoughtful and passionate analysis of what the artform achieves that purely human representation can't. Patricia goes outside of her usual essay format to directly speak to the viewer about the elements that define furry media (the most succinct definition I've ever heard) and just how *human* an act loving animal cartoons really is.

As an artist who can draw furry characters, but never really got into erotic furry art, this video is a treasure. Why did I choose to have her drawn as a Ghibli character, hanging out with one of the tanukis from "Pom Poko?" Guess you'll have to watch, bruh.

Philosophy Tube continuously puts out videos that I would put on this list--I'm not even sure that "A Man Plagiarised my Work: Women, Money, and the Nation" is the best work she released in 2023. However, this video got many conversations going between myself and my partner, and the twist on the tail end of the video shocked us both to such a degree that I had no choice.

At the very tail end of the year, Big Joel released "Fear of Death." On his Little Joel channel, he described it as the singularly best video he's ever done, and I'm inclined to agree. However, for this illustration, I ended up repeatedly going back to a mini-series he did earlier in the year: "Three Stories at the End of the World." All three videos are deeply moving and haunting, and I was brought to tears by "We Must Destroy What the Bomb Cannot." While it may be relatively-common knowledge that the original Gojira (Godzilla) film is horror grappling with the devastation America's rush to atomic dominance inflicted on Japan, Big Joel still manages to bring new words to the discussion. Please watch all three of the videos, but if, for some reason, you must have only one, let it be "We Must Destroy What the Bomb Cannot."

Y'all. Let me confess something. I hate football. I hate watching it, I associate seeing it from the stadiums with some of my worst childhood experiences, I despise collegiate and professional football (as institutions that destroy bodies and offer up children at the feet of its alter as a pillar of American culture)--

I. L o a t h e. Football.

But.

F.D. Signifier could get me to watch an entire hour-plus essay on why I should at least give a passing care. AND HE DID IT. I might think "F*ck the Police," the two-parter on Black conservatism, or his essay on Black men's connection to anime might be "better" videos, but this writer did the impossible and held my limited attention span towards football long enough to make a sincere case for NFL players--and reminds us that millionaires can *in fact* be workers. That alone is testament to his skill.

Sit down and watch "The REAL Reason NFL Running Backs Aren't Getting Paid." Any good anti-capitalist owes it to themselves.

CJ the X continuously puts out stunning, emotional videos, and can do it with the most seemingly-inconsequential starting points. A 30 second song? An incestuous commercial? Five minutes of Tangled? Sure, why not. Go destroy yourself emotionally by watching them. I'm serious. Do it.

Their video Stranger Things and the Meaning of Life manages to to remind us all why the way we react to media does, in fact, matter. Yes, even nostalgia-driven, mass-media schlock. Yes, how we interact with media matters, what it says about us matters, and we all deserve to seek out the whys.

Folding Ideas has spent the last few years articulating exactly why so much of our modern world feels broken, and because of that his voice continuously lives rent-free in my brain. While the tricks that scam artists and grifters use to try to swindle us are never new, the advancement of technology changes the aesthetics of their performances. Portions of Folding Ideas' explanations might seem dry when going into detail of how stocks work in This is Financial Advice, but every bit of it is necessary to peel back the layers of techno-babble and jargon and make sense of the results of "Meme Stocks."

Jessie Gender puts out nothing but bangers, her absolute unit of a video about Star Wars might be my new favorite thing ever, but none of her work hit so profoundly in 2023 than the two-parter "The Myth of 'Male Socialization'" and "The Trauma of Masculinity." There's so much about modern life that isolates and traumatizes us, and so much of it is just shrugged off as "normal." We owe it to ourselves to see the world in more vivid a color palette than we're initially given.

Panels drawn after Kate Beaton and "Ducks: Two Years in the Oil Sands."

"This is Not a Video Essay" is one of the most intense and beautiful pieces of art I've ever put into my eyeballs. Why do we create? What drives us to connect?

I don't even know what else to say about the Leftist Cooks' work, it repeatedly transcends the medium and platform. Watch every single one of their videos, but especially this one.

The likelihood you are terminally online and yet haven't heard of Hbomberguy's yearly forrays into destroying the careers of awful people is pretty slim. Just because it has millions of views doesn't mean that Hbomberguy's "Plagiarism and You(Tube)" isn't worth the hype. Too long? Shut up, it has chapters and YouTube holds your place, anyway. You think a deep dive into a handful of creators is only meaningless drama? Well, you're wrong, you wrong-opinion-haver. Plagiarism is an *everyone* problem because of the actual harm it creates--the history it erases, the labor it devalues, the art it marginalizes--which you would know if you watched "Plagiarism and You(Tube)".

Watch. The damn. Video.

In fact, watch all of them!

Thanks for reading this if you did.

[ayeforscotland]

What is Dataflow? Part 2: Diagrams

This is the second part of a couple of posts about Dataflow, particularly why it's important for the world going forward and relating to the Crowd Strike IT disaster.

Read the first part here.

Before I get into this one today, I wanted to address a couple of things.

Firstly, Dataflow is something that nearly every single person can understand. You do NOT:

Need to have a degree in Computing Science

Need to work in IT

Need to be a data analyst / Spreadsheet master

If any of you see the word 'Data' and feel your eyes glazing over, try and snap out of it because, if you're anything like me, Dataflow is much more approachable as a concept.

Secondly, what do I mean by IT?

Traditionally in most of our media the all-encompassing 'IT department' handles everything to do with technology. But every business works differently and there are many job titles with lots of crossover.

For example, you can be an infrastructure engineer where your focus is on building and maintaining the IT infrastructure that connects your organisation internally and externally. This is a completely different role from an Application Portfolio Manager who is tasked with looking after the Applications used in business processes.

Both are technical people and come under the banner of 'IT' - but their roles are focused in different areas. So just bear that in mind!

Now that's out of the way, let's begin! This one will be a little bit deeper, and questions welcome!

An Intro to Diagrams

You probably do not need a history of why pictures are important to the human race but to cover our bases, ever since we put traced our hands on a cave wall we have been using pictures to communicate.

Jump forward in time and you have engineers like Leonardo Da Vinci drafting engineering schematics.

You get the idea, humans have been creating diagrams (Pictures) for thousands of years. Centuries of refinement and we have much more modern variations.

And there's one main reason why diagrams are important: They are a Common Language.

In this context, a Common Language helps bridge a language gap between disciplines as well as a linguistic gap. A Spanish electrician and a German electrician should be able to refer to the same diagram and understand each other, even if they don't know each other's language.

The reason they can do this is because they're are international standards which govern how electrical diagrams are created.

A Common Language for Digital?

Here's an image I've shown to clients from governments and institutions to global organisations.

Everything around us, from the products we use to the bridges we drive over and the buildings we live, work, enjoy and shop in had diagrams backing them.

You would not build a skyscraper without a structural engineering diagram, you would not build an extension on your house if an architect couldn't produce a blueprint.

Why is there not an equivalent for the Digital World and for Dataflow?

Where is the Digital Common Language?

This is the bit where the lightbulb goes on in a lot of people's heads. Because, as I mentioned in Part 1, the flow of data is the flow of information and knowledge. And the common mistake is that people think of dataflow, and only ever think about the technology.

Dataflow is the flow of information between People, Business Processes *and* Technology Assets.

It is not reserved to Technology specialists. When you look at the flow of data, you need to understand the People (Stakeholders) at the top, the processes that they perform (and the processes which use the data) and the technology assets that support that data.

The reason why this is important is because it puts the entire organisation in context.

It is something that modern businesses fail to do. They might have flow charts and network diagrams, and these are 'alright' in specific contexts, but they fall to pieces when they lack the context of the full organisation.

For example, here is a Network Diagram. It is probably of *some* value to technical personnel who work in infrastructure. Worth bearing in mind, some organisations don't even have something like this.

To be absolutely clear, this diagram will hold some value for some people within the organisation. I'm not saying it's completely useless. But for almost everyone else, it is entirely out of context, especially for any non-technical people.

So it doesn't help non-technical people understand why all of these assets are important, and it doesn't help infrastructure teams articulate the importance of any of these assets.

What happens if one of those switches or routers fails? What's the impact on the organisation? Who is affected? The diagram above does not answer those questions.

On the other side of the business we have process diagrams (aka workflow diagrams) which look like this.

Again we run into the same problem - This is maybe useful for some people working up at the process layer, but even then it doesn't provide context for the stakeholders involved (Are there multiple people/departments involved throughout) and it doesn't provide any context for technical personnel who are responsible for maintaining the technology that supports this process.

In short, nobody has the big picture because there is not a common language between Business & IT.

Conclusion

So what do we do? Well we need to have a Common Language between Business & IT. While we need people with cross-functional knowledge, we also need a common language (or common framework) for both sides of the organisation to actually understand each other.

Otherwise you get massively siloed departments completely winging their disaster recovery strategies when things like Crowd Strike goes down.

Senior Management will be asked questions about what needs to be prioritised and they won't have answers because they aren't thinking in terms of Dataflow.

It's not just 'We need to turn on everything again' - It's a question of priorities.

Thing is, there's a relatively simple way to do it, in a way that looking at any engineering diagram feels simple but actually has had decades/centuries of thought behind it. It almost feels like complete common sense.

I'll save it for Part 3 if you're interested in me continuing and I'll make a diagram of my blog.

The important thing is mapping out all the connections and dependencies, and there's not some magic button you press that does it all.

But rigorous engineering work is exactly that, you can't fudge it with a half-arsed attempt. You need to be proactive, instead of reacting whenever disaster strikes.

[thatanimeramenchick]

Yandere Vox x Secretary Reader Part One

No one asked for this, but whatever. Bite me. I’ll get to the asks, I swear

3,516 words

Part Two - Part Three

–-

The last thing you wanted was to draw attention to yourself. In a place like hell, where the worst of society sunk together and only somehow seemed to get worse, it was a good idea to not catch other people’s eyes. If their eyes were on you, it was almost never for a good reason.

So when you decided to start working, it made sense you would do something quiet and in the background like data filing for a large media company. While there were many more unsavory jobs that paid more, you wanted to avoid the obvious and dangerous crime life of hell as much as possible in your daily life. You had had enough of being unwillingly tied up in that kind of stuff when you were alive. You might as well spend your eternity in some type of peace, or at least as much as someone in hell can get.

So, you made sure you were presentable as you walked into Voxtekk on your first day to work, dressed simple business attire and keeping a quiet demeanor.

“There you are!” said who you presumed was your new boss, a short man with glasses and a blue hair dye, “Was wondering if you were going to show up!”

“Sorry,” you said, “The traffic was bad.”

“Well, you better get used to leaving early,” he said, “Traffic is always a bitch in this part of Pentagram City.”

He continued to speak as he led you to the elevator.

“So, I’ve been told you have a lot of experience with this sort of thing on earth,” he said.

“Yes, I did library work while I was alive,” you said.

And some smuggling. Especially with weapons.

You didn’t think it would be necessary to tell him that though. The job had come in handy though by giving you a knack for remembering where things were.

“Good, good,” he said, “I expect you’ll be able to figure out how to do this on your own then.”

He led you to a room that was filled with file drawers as well as a large computer off to the side.

“There’s thousands, if not millions, of files in here, both physically and digitally. It’ll be your responsibility to make sure that everything new brought in gets put in its proper place, as well as that anything that is requested can be easily found,” he said, “As the biggest media company in hell, it’s important that we know at all times where every piece of information or media can be located.”

It was overwhelming, like the world’s largest and most complicated library. It made your head spin a little looking at it all, but you always liked a challenge.

“You think you can handle it?” he asked.

You nod with some confidence, though you don’t quite feel it. This was going to take some getting used to.

“I hope for both our sakes you’re right,” he said, “Last filer I hired couldn’t tell left from right and Vox fried me to a crisp. Took me a good week before I was able to regenerate properly.”

Crap, that sounded bad. Note to self, don’t let that happen to you.

“I think I’ll be all right,” you said.

---

It was a bit overwhelming the first few weeks. You were competent enough to keep things in order though. Your experience was paying off, and you weren’t hearing any complaints or news about any assistants getting fried, so you supposed you were doing your job well enough.

Within two months of starting your job, you finally met the rumored big man himself. He had come in one day, visibly in a bad mood as he walked over to your desk, a man trailing behind him.

“I don’t know why I even pay you morons,” he said, “I have to hear important information secondhand from fucking Valentino because you can’t be bothered to keep up with what’s happening in hell.”

“Look, sir, I’m sorry, I didn’t mean to not tell you,” he said, “I just didn’t think you’d care.”

Vox had stormed over to your desk.

“So you KNEW and thought it would be a good idea to just not tell me at all?” he said.

“T-that’s not it! I just-”

Vox held up a hand to interrupt him before turning to you.

“I want the file we have in here on Alastor,” he said, a static buzz of irritation on the last word, “Now.”

“Of course, sir,” you said.

You hurried over to the file cabinet and quickly located it.

“See, not everyone around here is as useless as you are,” Vox said to his other employee.

You saw the hapless employee mutter something under his breath out of the corner of your eye, and before you knew it a chain had appeared and Vox yanked him closer.

“What was that?” he said

“N-nothing, sir!” said the now visibly sweating employee.

A shock went through the poor guy before Vox released him.

“Useless,” he said, “You know what? I think you need some time learning exactly who is in charge around here.”

Vox pointed a clawed finger at you.

“You,” he said, “It’s your lucky day, kid. You wanna promotion?”

“Um… yes?” you said.

“Great. Samuel, have fun in janitorial work for the next decade,” he said, “You’re being replaced. What’s your name?”

“F/N,” you said.

“Hope you have customer service experience as well as filing,” he said, “You’re moving up to my office. Need someone with a functioning brain to run the front desk. Pack up!”

You hesitated for a minute before grabbing the stuff under your desk. You figured the last thing you wanted to do was piss this guy off more than he already looked.

---

Despite him being in such a bad mood that first day, you soon found that most of the time Vox was relatively calm, at least compared to what you heard about the other employers in this building. While he at times could get pretty irritated with things, especially if a certain never-to-be-named demon was brought up by an idiot intern, he rarely took it out on you. He usually took the daily bothers of running the company in stride.

Besides that, running a front desk of an office wasn’t too different than running the front desk at the library. You didn’t have to do near as much organizing in terms of files, but you still did spend a lot of time making sure that everything in Vox’s life was organized from his meetings to when he had lunch.

He didn’t talk much with you outside of work related stuff, which is why you were so surprised when you found out what he was doing one day.

It was a nice enough morning, at least as much as a nice morning can be in hell. You took a sip of your coffee briefly as you stretched and looked out your office window. While you missed the blue sky of earth, the red sky of hell had its own sort of charm you supposed. You glanced down, looking at the people walking back and forth, small as ants. Running around willy nilly. Someone was moving into the building that afternoon, a common occurrence here, as you had heard talk that Valentino liked to keep his employees in close quarters. Seems like they had a similar taste in furniture to your own. Almost frighteningly so.

Except… wait. Was that your sofa? And your dresser? Your bookshelves? You lowered your coffee to the windowsill as you squinted down at your entire catalog of furniture being moved into the building. Something wasn’t right.

You knocked on your boss’s door and entered in a bit of a rush as you heard him say to come in.

“Vox, what on earth is going on?” you asked, trying not to sound panicked.

“F/N, that could be ten different things. I need you to be more specific,” he asked, his tone nonchalant as he didn’t even look up from his phone.

“I just saw what I’m pretty sure was all my belongings being moved into the building,” you said.

“Oh yes, that. Well, I had wanted to surprise you, but I guess it’s too late for that,” he said, somewhat absently, “I hate that you have to take such a long commute to the other side of town. And I know all the apartments there are so run down, I figured I’d just move you into the studio like a lot of our other valued staff.”

What? While it was true your apartment was kind of rinky dinky, it was yours. And you liked the privacy and soft solitude it offered after work. Besides, you didn’t like the idea of your boss just moving you willy nilly without your permission. Still, you didn’t want to show him you were upset.

“Vox, you don’t have to do this,” you said, “I’m ok with where I’m at. I don’t want to trouble you.”

“It’s no trouble at all. Think of it as a courtesy as my secretary,” he said.

You could feel your entire face tighten as you got more frustrated. Some of it was probably starting to show, despite your best efforts.

“I never asked for this though,” you said, trying to tread carefully, “and I like my old apartment. I… I don’t really want this...”

“But you do want this,” he said, finally looking up at you, “You want to be in a nicer apartment, closer to work, safer, don’t you? You always want to be here.”

That… You supposed that was true. Something about his tone soothed you, sent a pleasant lull through your skull and made your body relax as he looked in your eyes. Your protests now seemed a bit foolish and childish. In all honesty, you supposed it just made sense that you move in to the studio. Everything you needed was here, truly, why would you want to live away from here? You did want a nicer apartment without the stressful commute.

“O-ok,” you said, a small uncomfortable feeling of doubt still in your stomach, “Yeah. That’s true. I do want to be here more… closer to the office...”

He smiled at that and walked over to you. He placed an arm around you, guiding you back to your own office.

“Of course you do! And besides I already had them move everything here, so why don’t you just go back to work, and they’ll have finished moving everything in by the time your shift is done,” Vox said, “I guarantee once you’ve had time to think it through you’ll be glad we did it.”

“If you say so,” you said.

As he walked you back to your desk, he continued his calming chatter.

“That’s a good girl. You and I both have a lot of work today, anyway, so I think we can agree that you should just focus on that for now,” he said as he nudged over to your desk.

You sat down and turned to the planner on your desk as you heard your boss walk into his personal office and closed the door. You just stare blankly for a good minute, feeling a little light, like you were on Zoloft before shaking your head back and forth. Might as well just go back to work. You could think more about this later.

---

It had been happening so slowly. One day, week, month at a time, Vox was implementing himself into your life inch by inch, despite the fact that the two of you weren’t bound on paper. He had moved you into the building, where you knew that you were almost constantly on camera. He kept you so loaded down with work you barely had a social life anymore, with no time to hang out with friends or date. The pay was ok, you supposed, but it felt minuscule compared to the amount of work he was expecting you to do on a daily basis.

And then there was the… weirder things that had been happening. Whenever you tried to talk to him, he had a way of getting you to forget about whatever it was you were upset about, at least for a little while. But it would always come back eventually, and as you thought about it more, it irritating you that he was dismissing your concerns.

You hadn’t really noticed it until he had gone on vacation for a week with the other Vees. You had been quite busy with work, but without him there to calm you down whenever your “concerns” came up, you realized that maybe you had let your priorities get a little askew. You needed a career change.

So, perhaps against your better judgment, a few days after he had returned, you had left a two weeks notice on his desk before he came in. It only took about fifteen minutes after he came in for him to summon you to his office.

“F/N? What is this?” he asked, holding out the letter.

“It’s my resignation,” you said, trying to sound steady and confident.

“I’m sorry… your what?” he said

“I-I regret to inform you that I will be moving out and relocating to the Doomsday Sector in two weeks,” you said, “I appreciate all that you’ve done here for me as I worked here, but I am making a career change.”

He looked baffled for a second, like he couldn’t believe what you were saying before chuckling a little.

“No, you’re not,” he said, “You don’t want to leave he-”

“Stop!” you yelled out with more force than you intended.

As soon as he had started speaking that familiar fuzzy feeling had entered your mind, and you had closed your eyes, shaking your head. You didn’t want him talking you out of this.

“I-I’m sorry,” you said, as you reopened your eyes, but didn’t really look at him, “But I don’t want to talk about this.”

It was awkwardly silent for a minute.

“Is it a pay thing?” he finally asked, “Because that can be adjusted. You do good work. I certainly wouldn’t mind paying you more.”

“It’s not a pay thing,” you said, “It’s not anything. I-I don’t want to talk about this, so I’m going to go-”

“You’re not leaving!” he said, slamming his fist on his desk.

You jumped, a little surprised at his reaction. While you knew he wouldn’t be thrilled, you hadn’t expected him to be so volatile. He was always so calm and collected that this kind of reaction to something so minuscule confused you.

“Vox, I know you like my work, but I think you’re overreacting a little bit,” you said.

“Overreacting?” he said, looking pissed, “Overreacting?!”

He grasped at the air, a look of surprise entering his face when no chain appeared. You look at him bewildered. Had he really just tried to…?

“Vox, we don’t have a contract?” you said, “Did you forget that?”

Had he really gotten so comfy with you that he thought that you were another one of his little pets? To hell with the two week notice, you were going today.

“I think I should go back to work,” you said.

He didn’t say anything as you went back to your desk. You finished filing information extra fast that day, doing a bit of a sloppy job. As soon as it was noon, you left for what appeared to be a lunch break, but you had decided was actually going to be your escape.

This situation was getting uncomfortable. You hurried to your room and haphazardly threw clothes and necessities into your suitcase. Anything you left behind on accident you would just have to replace. On a final note, you shoved your wallet into your back pocket and walked over to the door.

Except it didn’t open. The nob didn’t even turn when you yanked on it. You tried it a few times, to no avail.

“Dammit,” you murmured under your breath, and you pounded your fist on the door.

You were about ready to start kicking it when you heard a burst of static behind you. You turned to see your boss coming in through the camera system. While it had always been an eerie feature to your arrangements, it was a million more times so to see Vox using it to his full advantage.

“What the hell is going on?” you asked.

“I should be the one asking that,” he said, “Just where do you think you’re going?”

“None of your damn business!” you said, “I don’t know what security you have on this door, but you better take it off now or-”

“Or?” he asked.

Now it was your turn to look tense as he gave you a self-satisfied smirk. You could feel your face flushing in a quiet rage as he spoke. Though you were hiding them behind your back, you could feel your fists clenching, as well as the shape of you mouth hardening.

“Vox, you are being ridiculous! We don’t even have a contract! I’m not bound to you, so you can’t keep me here,” you said.

He cocked his head at you, raising an eyebrow, “Oh really now?”

Something about the nonchalance in his tone only pissed you off more.

“Yes, really!” you yelled, “I’m not staying here. I’m leaving whether you want me to or not.”

“And just how do you expect to do that?” asked Vox, “Jump out the window? I mean you could splatter yourself on the ground, but it’d be a bit rude considering I’ll have to send some unlucky interns to scrape you off the pavement and put you back in your room until you regenerate.”

You closed your eyes, taking a deep breath in and clenching and unclenching your hands with an unnecessary amount of force. You tried to calm your voice down.

“Vox, I understand that you like the work I do for you, but you’re being ridiculous,” you said.

“You think this about work?” he said, “F/N, don’t act stupid. I can get a new secretary anytime I want, ten secretaries. You and I both know that’s not what this is about.”

You looked at him confused. It wasn’t?

“For someone who is so smart with data, you are being so unbelievably slow right now.”

He advanced on you, causing you to shrink against the frame of the door as he leaned over you. He pushed you against the wall and gripped your chin in his hand, forcing you to look him in the eye. It all happened in a flash, too fast to register, and before you could realize it, he was pulling you into a rough kiss.

It wasn’t what you had expected, though it wasn’t as if you had thought a lot about what kissing your boss would feel like. On the rare occasions when you had wondered about it, you had assumed kissing Vox would be like kissing the screen of a laptop. Apparently though, he had a literal working mouth as you could clearly tell from the sensation of his tongue and even teeth connecting with your own. Your chin ached in his firm grip, which could have been more tender if it didn’t feel like he was keeping you from turning your face away. You tried to do so, but he didn’t even seem to notice it, he was so preoccupied.

He held you like this for a good two or three minutes, his saliva coating your mouth. Though it was barely there, you could feel a slight buzz to it, as if some of his electricity was in his fluids. He finally released you though, some of his spit getting on your lips as he removed himself. A sigh filled the air as your lips parted.

“Even better than I thought it would be,” he murmured

He shifted a bit and was leaning in for another kiss when you kicked him in the shins.

“Ow!” he said, releasing you and giving you time to dart away.

You had moved in a burst to the other side of the room, glaring at him with what you hoped was resentment. There was also something else though. A feeling of deep rooted anxiety and fear was stirring in full force, despite the fact that over the past few months you had been pushing it down as much as possible. You hoped he couldn’t see the weakness in you.

Whether he did or not though, you could tell he was visibly pissed for a minute. He finally got his features under control, but as he spoke his tone held all of the avarice that had left his face.

“Whatever,” he said, “Contract or not, you’re still mine, and you’re not going anywhere until you accept that. Throw a tantrum if you want to, but you’re stuck here.”

You watched as he went back into the camera system as easily as he had come. You curled up on the floor, burying your face in your arms.

[my-castles-crumbling]

OMG Clandestine is done!

I am so so so excited to say I just posted the epilogue to Clandestine! Featuring a beautiful commission from @itslotuseater!

Ships: Jegulus, background wolfstar, dorlene, pandalily, rosekiller Rating: M Length: 142k (FINISHED! COMPLETED! AHH!)

Summary:

He was crying. “You can do that?” He repeated, feeling like he was in some sort of dream. And then, Sirius seemed to realize. Because for a twelve-year-old, he was decently smart, and knew him better than anyone. “D’you…d’you want to do that, Reggie? I thought…I thought it was just a game?” But he could only shake his head. Because it wasn't a game. He was a boy. And he could tell from Sirius's nervously resigned expression that Sirius knew it, too. "It's...not a game." --- There's not enough Trans Regulus Black, so here's a fic to help fix the problem. Rated mature for lots of references to transphobia and Walburga Black being a piece of shit. COMPLETED (I'm not crying, you are)

Ahhh, my long-winded thank-you note:

First and foremost, thank you to Arson, my amazing Alpha Reader who brainrotted with me throughout almost the entire process. I literally could not have finished this without you, and I am so thankful to have you in my life. You've helped me through so many cases of horrible Writer's Block, encouraged me whenever I needed it, and you're an amazing friend. I hope you love your "Barty and Evan's Bitch" shirt :D

Second, to my wife, who literally dealt with me talking about this fic for TEN MONTHS. You're literally the most amazing and supportive person in my life, and I love you more than words. Thank you for being the James to my Regulus.

Third, to my Beta Reader, Kat, who is still wading through the trenches of this fic finding all my mistakes. I am so glad to have you and thank you for dealing with all of my errors and answering my messages at odd hours of the night.

Fourth, to all of the people who have encouraged me: Abby, Danielle, Kelz, everyone on the discord servers who has seen me struggle, you guys are amazing and I am so thankful to you.

Fifth, to the lovely people who created fanart for this fic. You all are amazing and you brought this to life. I bow down to you, truly, you are so incredibly talented.

Sixth, to the people who I interviewed about dysphoria and being on T, so I could have a more well-rounded understanding about Regulus's experience. Though I identify as trans, I am so thankful that other trans people were willing to give their experiences in areas I wanted to describe as accurately as possible.

And last, to all of you, who read and kudosed and inboxed and recommended and commented and kept me going. You all are amazing, and you've made this such a positive experience. This fic really was for me, to work through my own gender an discover about myself, and I am so thankful you have been here along this journey.

I want to reiterate that this is one trans person's journey, but I think it's so important to have representation in all forms of media. I'm hoping that my version of Reggie has helped with that a little bit! He's my baby, and he deserves all the good things.

Keep an eye out for the B-sides of this fic! I'll add a chapter to this work linking to it, so if you're subscribed to this, you'll get an e-mail. I'll also be editing this work to fix all the errors, and I'll be doing the B-sides as I go. It probably won't be for a couple of weeks, since I am now working, and I won't have any strict posting schedule, but I'm excited for those as well!

I love you all. Thanks for being a part of this journey.